Inspired by graffiti’s raw, handwritten typography, situated within the streets of Brooklyn, the piece translates the visual language of street writing into a spatial form, using 3D modeling and a pyro system to simulate the organic drip and decay of sprayed paint. By bringing graffiti into motion and volume, the work explores how informal, ephemeral marks can be reinterpreted through digital tools while remaining grounded in the physical urban environment.

Inspired by graffiti’s raw, handwritten typography, situated within the streets of Brooklyn, the piece translates the visual language of street writing into a spatial form, using 3D modeling and a pyro system to simulate the organic drip and decay of sprayed paint. By bringing graffiti into motion and volume, the work explores how informal, ephemeral marks can be reinterpreted through digital tools while remaining grounded in the physical urban environment.

Responding to 2026, the Year of the Horse, set within a New York City subway station, the work stages the unexpected appearance of a blue horse beneath an existing poster, as if it has quietly emerged from the infrastructure of the underground.

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Mauris leo erat, placerat quis semper eu, pulvinar in est. Nam eget justo quis ligula faucibus pretium ac nec mi. Aliquam lacus est, auctor sed arcu at, luctus condimentum lectus. Quisque vitae eleifend quam, vel suscipit nisl. Duis efficitur est nunc, eget efficitur felis porttitor in. Donec facilisis ultrices mattis. 

Mauris leo erat, placerat quis semper eu, pulvinar in est. Nam eget justo quis ligula faucibus pretium ac nec mi. Aliquam lacus est, auctor sed arcu at, luctus condimentum lectus. Quisque vitae eleifend quam, vel suscipit nisl. Duis efficitur est nunc, eget efficitur felis porttitor in. Donec facilisis ultrices mattis. 

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